The Law on Fonts and Typefaces: Frequently Asked Questions Ross | March 23rd, 2011

The right typeface is often the key to a great logo, graphic or web design. But there’s much confusion and misinformation about typefaces, fonts and the law.

Many people do not understand the law governing the use of typefaces and fonts. Others incorrectly assume that they can freely use any typeface or font for any project.

When you purchase a commercial font, you are purchasing a license to use the font software. Your rights and obligations are defined in the End User License Agreement (EULA). Those agreements will vary among fonts and among font makers – so read them very carefully to understand what you can and cannot do with the fonts you’re licensing. For example, some agreements will restrict the number of computers on which you can install a font.

How is a font different from a typeface?

Technically, a “font” is a computer file or program (when used digitally) that informs your printer or display how a letter or character is supposed to be shown. A “typeface” is a set of letters, numbers and other symbols whose forms are related by repeating certain design elements that are consistently applied (sometimes called glyphs), used to compose text or other combination of characters.

Although many people would call “Helvetica” a font, it’s actually a typeface. The software that tells your display or printer to show a letter in “Helvetica” is the font.

What is copyright?

Copyright is a form of legal protection provided to those who create original works. Under the 1976 Copyright Act (United States), the copyright owner has the exclusive right to reproduce, adapt, distribute, publicly perform and publicly display the work. Any or all of these rights can be licensed, sold or donated to another party. One does not need to register a work with the U.S. Copyright Office for it to be automatically protected by copyright law (registration does have benefits – but we won’t be covering those in this article). For more about copyright law, you can read Small Business Legal Issues: Copyright Basics.

Does copyright law protect typefaces and fonts?

Generally, copyright law in the U.S. does not protect typefaces. Fonts may be protected as long as the font qualifies as computer software or a program (and in fact, most fonts are programs or software). Bitmapped fonts are considered to be computerized representations of a typeface (and are not protected by copyright law). On the other hand, scalable fonts (because they are incorporated as part of a program or software) are protected by copyright.

This means that copyright law (at least in the U.S.) protects only the font software, not the artistic design of the typeface.

You should remember that copyright law, and more specifically, as it relates to typefaces and fonts, varies by country. For example, the U.S. may be the only country in the western world not to recognize intellectual property rights in typeface design. The U.S. Copyright Office has unequivocally determined that fonts are not subject to protection as artistic works under the 1976 Copyright Act.

In contrast, Germany recognized in 1981 that typeface designs can be protected by copyright as original works. England also allows typeface designs to be protected by copyright (since 1989).

Doesn’t the U.S. have to follow the copyright law of other countries under international treaties?

Yes and No. All of the major copyright treaties and agreements to which the U.S. is a party (such as the Berne Convention) operate under a common principle (called “national treatment”) which holds that a country must treat foreigners and locals equally. That means, among other things, that the U.S. is not obligated to provide greater protection to works from other countries than it provides to works produced in the U.S.

Does this mean you can copy typefaces without worrying about copyright law?

Some argue that you can copy a font (by recreating it yourself) and as long as you don’t copy the computer program, you’re not violating the law (in the U.S.). How might you do this? Among other ways, you can lawfully print every glyph on a printer, scan the image and then trace each image on your computer (none of this would involve copying the software or program representing the fonts).

This gets a bit muddied when you consider that fonts are often tweaked and used as part of a larger design. For example, a typeface may be customized and used as part of a logo design. While the typeface itself is not subject to copyright protection in the U.S., the logo design itself might be protected as an artistic piece, taking into account the arrangement of letters, use of space, organizations, colors, and other creative aspects of the design. A good example of this is the Coca Cola typeface – the typeface is protected because it is the logo.

Does patent law protect typefaces?

Sometimes. Typeface designs can be patented but typically are not. Moreover, even those typeface designs that have been patented were patented some time ago and nearly all of the design patents have expired.

Does trademark law protect typefaces?

Trademark law protects only the name of a typeface, but not the design of the typeface.

Can you use “free” fonts without worrying about the law?

Maybe. Although many free fonts allow unrestricted use (including use for commercial projects), “free” fonts can sometimes be fonts that are illegally copied. Be careful and make sure that the fonts you are using come from a trusted source and that you understand your rights and obligations.

Can you license a font to a client?

Typically, your right to sub-license a font is governed by the EULA. You cannot send the client a font unless the EULA specifically permits you to do so. This means that if the client will need the font, they will be required to purchase a license to use it.

Most logo designers avoid problems related to font licensing by converting their logotype to outlines (in a program like Adobe Illustrator) and sending the client a vectorized outline (but not the font).

Three Questions To Ask When Using Fonts In Your Designs

1. Are you legally allowed to use the font? Many fonts are sold commercially and cannot be used by people who do not purchase those fonts from proper vendors.

2. Is your intended use permissible? Some font licensing agreements may restrict ways that you can use the font. Review the agreements carefully when in doubt.

3. Can you sell and/or send a copy of the font to your client? Typically, at least for commercial fonts, the answer is NO. Your client will be required to purchase the font. One way to avoid this is to outline the font (as described above) and provide the client a vectorized outline.

Do you have other questions about fonts and typefaces and the law or useful tips based on your own practice? I’d love to hear from you in the comments.

image credit (Helvetica movie poster): imjustcreative

image credit (second photo): Nick Sherman

Please remember that legal information is not the same as legal advice. This post may not address all relevant business or legal issues that are unique to your situation and you should always seek legal advice from a licensed attorney.

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  • Dominic

    Credit where credit’s due. The Helvetica Movie poster as designed by the mighty Experimental Jetset not imjustcreative.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    The credit is to a photo of the poster, which I found on Flickr. The photo was from imjustcreative. Thanks for adding the credit for the actual design!

  • Anonymous

    I consider logos to be my specialty, (as a finite deliverable, that is.) As such, discovering, considering, and re-assessing typefaces are huge parts of any logo design I do. This morning, when I saw the subject of fonts in the email, I knew I was *really* gonna read the full article. (I plan to most times, I really dig you guys, but the hours in the day are slippery…you know how it is.) Like I mentioned, I’m really into fonts, so I enjoyed the article. But, I feel like you had to serve two nearly conflicting audiences. I’ll explain:

    The font vs typeface breakdown is valuable, as is alot of the background info on copyrights. Good for newbies to the subject. You closed out with some designer-friendly stuff, for those that had a grasp of the subject already…advice, ways to incorporate into jobs, good stuff. So, really this is two articles to two audiences that you’ve made into one. I feel you did a great job doing so. Alas, you had to compromise a little on what you gave each audience.

    In my opinion, the days of simply doing better are behind us. Few processes have much room left to be further refined. Instead, today we think better. And re-think better. *Umm, Treo, what the hell are you saying…?* I’m saying, I wonder if you could have re-thought the whole approach to this piece. Make two, FU#%AWESOME articles, in order of expertise and run them on consecutive cycles, whatever that is for you. It’s very clear to me that you have the talent and resources to write Fonts 101 and Fonts 220 to their full potential. So…yeah. Next time, don’t compromise. Don’t settle. :-)

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Thanks for the feedback. I’m curious which areas you’d love to hear more about. I ask because I plan to write a MUCH more details ebook (that I’ll distribute for free) covering both Fonts 101, 220, and 440, so would love feedback about subjects that would be important beyond my short post.

  • Danihipnotic

    Hi! I like so much the article, so keep going on topics that are incredible useful to any creative.
    I have a question to the community:
    Avoiding typeface law by creating outlines isn’t like selling the font?
    What do you think about making few adjustments and changes to the font to post it as yours?
    How many of you have created a font, or know somebody that do it? How much time was spend on doign this?
    How do you feel if your designed font with care and effort is used by somebody else without your permision?

  • Upsidedowngrl

    Okay so if there is a font in Illustrator program, it isn’t or is allowed for me to use for commercial use or do I have to purchase a license for it? I

  • drdave

    Thanks I found this very useful/helpful…look forward to ebook!

    I’d echo danihipnotic question – What if you slightly alter a (copyrighted or otherwise protected) font? Can you then pass it along as your own?

  • http://spaceheaterstudios.com/landing-page-creation/ Landing Page Creation

    Wow, very interesting post. This addressed a lot of issues that everyone may not be aware of. I have many friends who are involved in design who are often confused as what they can and cannot do in regards to font and typeface. This article helped clarify a lot of issues that have come up!

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Glad you found the post useful.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Typically, you can print for commercial use or outline the fonts and send to clients. If you’re asking whether you can send the actual electronic font file to a client, that is governed by the Adobe EULA for Illustrator. You can find the various EULAs from Adobe here: http://www.adobe.com/products/eulas/#type

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    As I wrote in the post, you cannot copyright a typeface (in the U.S.). So if you follow the process to print it, scan it and then modify it, you’ve created it, BUT you have the same limitation in terms of copyright that the original typeface had. Make sure to check whether the typeface is protected by a design patent (some are) or otherwise protected because of other design elements (such as the Coca Colo logo).

    If you create a computer program containing your font, you can copyright the program and claim that as your own.

  • http://desaraeveit.com/ Desarae A. Veit AKA DesaraeV

    Great information. It’s interesting to learn more about fonts, I have probably thousands of them at this point that I’ve bought in packs or for specific projects and its always good to remember that they too, where designed by someone somewhere down the line.

  • http://desaraeveit.com/ Desarae A. Veit AKA DesaraeV

    Random side note, I know a fantastic font designer in Minneapolis Chank Fonts writes a blog on this stuff if anyone is ever curious.

  • http://www.facebook.com/joleene.naylor Joleene Naylor

    Thanks for this! I’ve been doing book covers for indy authors lately and where as I had a firm grasp on image licensing/copyrights/uses etc. the fonts have been a bit confusing, so I really appreciate this!

  • Pingback: Font Copyrights? | Self-Published Author's Lounge

  • elev8

    Rather than sift through thousands of fonts on my system, if I think that a project needs a specific style of font, I will go to a font site, type in the words on the typeface viewer, enlarge as big as I can, make a screenshot then re-size the pixels in Genuine Fractals Photoshop extension, import and live trace to b/w in illustrator and there create the design from there.

    Once the project is won, I purchase the license for use as all other occurrences of typefaces are simply concept deliveries and do not qualify as finished art. That way, I pay respects to the typeface designer and pay my dues and don’t feel like I have cheated anyone.

    Sounds like a bit of mucking around but it is actually quite quick, allows you to search of typeface styles and other tags (unlike Suitcase etc) and doesn’t clutter my system with thousands of fonts that I’ll never need.

  • Strukturedesign

    Any good recomendation were we can buy font?

  • Dave

    One font designer (electronic) in my country simply scans fonts that was originally designed for Letraset use, makes a few tweaks and sells them as his own copyright fonts! I have sometimes used a font (grabbing a screen shot from an online catalog) and used it after substantial changes as a logo. Which of us is breaking copyright law????

  • Erich Campbell

    This is a rather interesting post, and I have question specific to my industry that you may be able to clear up – I’m a commercial Machine Embroidery Digitizer- this means I make the ‘programs’ that embroidery machines use to make designs. I design art and plot stitches- but there are others like me that service our industry that make what we call ‘keyboard lettering’ they are fonts specific to our embroidery software that have the stitches pre-plotted on them.

    More often than not, these fonts are copies of typefaces that we all recognize as commercially available, albeit with an altered name- They then sell these embroidery fonts commercially. So, they aren’t re-distributing the font, but they are using the artistic look of the typeface- are they violating the rights of the original designer?  I feel they are in spirit somewhat, but where do you think they stand legally? Thanks in advance for your opinion.

  • Vagrant

    i offer services as a book designer.  suppose i by a font (with embedding license) and use it to compose, say “book-1,” which is released as an ebook/PDF.  do i have to license the same font for, say the next 20 books that i compose?  or do the individual authors/publishers of those books require a license?

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Each font will carry a specific license which will explain how you can use that font non-commercially and commercially. So – it’s not possible to answer your question without knowing the specific provisions of the license for the font you would be using. Typically, you would not need to purchase separate licenses for each work or future work – once you get a license, you would be able to use the font. BUT … again, it depends on the terms of the font license.

  • http://twitter.com/Laura_E_Edell Laura Edell

    What can one do , like myself, if they design a new typeface or font to protect themselves? Or better yet, to get their typeface/font noticed by others, i.e. – I would love to see my two different typefaces be incorporating into design programs or word editing programs, such as Arial or Helvetica is. Your input is greatly appreciated.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    There are online font foundries and many will accept submissions of new fonts from others. As for protection – it gets tricky, for the reasons I discuss in the article.

    Tough to get fonts incorporated into editing programs – you should write to the companies directly and ask if they have a submission process for new fonts.

  • Verna Allen

    I want to write a novel that has some hand written letters. What fonts can I use for that is not copyrighted?
    verna1951@gmail.com

  • Rin

    Hey
    I read the entire article and i still have the Doubt so I’ll ask:
    I’m from Israel and I designed a logo with an American font that is licensed (it need to be purchase) I copy the letters that i needed from the web and passes them to illustrator and transform them a bit.
    my client wants to go with his company to the u.s.
    would he need to purchase the font of the logo?

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    If you outlined the fonts and they’re in vector format (as they should be if this is a logo design), the client would not need to purchase the font to use the logo. But, if they will want to create other content using the same font, or make changes to the logo other than sizing, they will either need to own the font or have you help them make those changes.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    There are many free fonts available, including handwriting fonts, that are both free and royalty-free for use in any type of project.

  • Rin

    thank you for your quick reply – 1 little more and its gonna sound bad: so if the owner of that font will notice that there’s a logo with his font – he doesn’t have any rights? cause no one of us (me or the client) actually perches the font..

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    It’s impossible to answer your question because the owner might have put the font in the public domain, might have allowed non-commercial use, the font might have been outlined, etc. The owner may or may not have rights – but it depends on the facts of each case. And, keep in mind, as I wrote in the post: “Generally, copyright law in the U.S. does not protect typefaces.”

  • Diamond

    For example can I use the coca-cola font and color but only write ca-cola legally? Which would be just a part of the original name and use it as my DBA?

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Diamond – it depends on a number of factors. Who owns that font? If you can license it, what are the limitations? Separately, there’s a question about confusion. Would writing ca-cola be confusing if using the same font and color?

  • disqus_4XOT9SFzIv

    I have a story and a paper from school written on the Clarendon font…. how do I post my story? It is pdf..need to attach somehow

  • John

    Can you tell me if i download a font which is free commercially to use and send my design that uses the font to the client does the client need to download the same font for the license to use my design even when the font is free to use commercially and he or she has no intendon of creating any designs.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    You should always outline fonts – then this is a non-issue.

    It’s difficult to answer your question – each font license is different. In most cases if a font is free and approved for commercial use, the client would only need to download the font if they need to edit your work or to match other content for the same font. But, it’s always a good idea to let the client know which font you used and to encourage them to download it so that they have it in case they need it later.

  • Jupo

    Bottom line: If I use Microsoft Word (which says at the top, “Microsoft Word non-commercial use”) to make a letterhead for stationery and print it myself on my computer, can I legally sell It?

  • eli

    I have the following question. I f I make a design of a logo using a free font like times new roman, verdana etc..all the fonts available in programs like Illustrator etc…can I sell this logo to a company, so they use it? Are there any legal consequences? thank you

  • Marco

    ok but if i take a font like Futura or Helvetica, i vectorialize them in illustrator, and (for example) i change the width of the letter m, is it a copyright violation? or the helvetica font becomes a sort of “mine” ?

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Take a look at the blog post again – it talks about this example. The “font” doesn’t become “sort of yours” since you cannot copyright a typeface (at least in the U.S.) But, that also means that you cannot be accused of infringing copyright (in the U.S.) if you do as you suggested.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    It’s impossible to answer this without more facts. Typically, fonts have licensing restrictions or parameters. Sometimes, they prohibit commercial use, for example. However, if you vectorize the typeface in the logo (as the blog post discussed), then it’s not an issue (at least in the United States) – because typefaces cannot typically be protected by copyright law.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    You’ll have to look at the specific license within Word. And remember that you can add lots of fonts to your computer that Word can use, that would be covered by separate licenses. I’d be worried if you’re using Microsoft Word to create a logo (or a typeface) … that’s not the right tool for that job.

  • Susan

    Technically speaking, you cannot copyright color.

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Free fonts do not necessarily give you the right to use for commercial projects. You should still read the licensing rights/restrictions even when using free fonts. On the other hand, if you outline the fonts (as I discuss in the post, then this is generally not an issue (at least in the United States).

  • Michał

    Hello,

    Nice reading. Thank You.

    I have a question. I made a typeface, and I started selling it via a website, but some type foundry from USA wrote to me that my typeface is

    copyright infringement of their fonts (which are registered in USA) and I had to remove it.
    The overall look of the fonts is similar, as it is with most sans-serif humanist typefaces, but there are differences (glyphs shapes, proportions, details) that proves that this is not a plagiarism.

    Does the overall look decides if a typeface has been registered?
    I am from Poland so can I sell it in European Union?
    Should I be aware of litigation?

    Regards.
    Michał

  • http://twitter.com/rosskimbarovsky Ross Kimbarovsky

    Michal – you’ll need to consult an attorney for answers to your questions. Sorry – we can’t provide legal advice here.

  • rdtjetjh

    useless article

  • Trent

    Nice article – thank you. What if I wanted to use a font like Magneto or Braggadoccio for words I’m printing on small arts and crafts meant for commercial use? I don’t know how fast or even if my hobby will grow in popularity and I am wary of paying hundreds to use a font without reaping any benefits. Must I contact the font owners (companies)?
    Thanks!

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