Archive for September, 2008

Weekly Glance of Awesomeness #9

Friday, September 26th, 2008

Greetings from crowdSPRING land! Apologies for delivering the “Weekly Glance of Awesomeness” a day late, but you know, pressing matters such as posting pictures of Jerome’s head on Dolly Parton’s body got in the way. Now, let’s get back to business, and check out some pretty great projects that are on our site….

Glance #1: Take “Awesome” To A New Level for IFA
The Award: $300
End Date: September 30th
The Breakdown: What does “IFA” stand for? Frankly, it’s a website called “It’s F$%#ing Awesome.” How could I not include it in our “Weekly Glance of Awesomeness”? So, this snarky site wants you to “share your awesomeness with the world” because you can never have enough bizarre images or video clips on the internet. They need an equally fun yet simple logo, and they’ve turned to our creatives since IFA knows that crowdSPRING encompasses awesomeness. I think I’ve reached my quota on how many times I can use the “A” word in a paragraph, so I won’t repeat myself any longer.

Glance #2: Kids Santa Letters Logo
The Award: $400
End Date: October 1st
The Breakdown: What a really cute concept! Santa Claus House is a service that receives letters from children to Santa Claus and sends back responses, keeping the Christmas spirit alive. I found out Ol’ Saint Nick wasn’t real when I was 5, and it was heartbreaking (it was my own darn fault for being too curious)! But these people help keep the fun alive for little children, all the way from North Pole, Alaska. Santa Claus House are launching a site called KidsSantaLetters.com, where they will post various letters children have written. They need a logo for their website, so help spread the holiday cheer, even if it is only September!

Glance #3: German Student Improv Theater Needs Logo
The Award: $150
End Date: October 7th
The Breakdown: This project comes from the recommendation of crowdSPRING creative fredK. Thanks for the heads up, Fred! HeilixSpassle is a student improv theater that needs a vibrant, fun, and cool logo that will be featured on their website along with their newsletter and ads. Although I have no clue what “Heilix Spassle” means in German (I seriously tried to translate it, which was a total failure), it’d be cool to help a student troupe out!

Glance #4: HearYe.Com Website Design
The Award: $1300
End Date: October 7th
The Breakdown: New classified site HearYe.Com is looking for a simple and clean site design that portrays its listing results in an effective manner. Unlike other listing / classified sites, HearYe’s results aren’t tied to a specific geographical location. And even better, if you dig deep into their creative brief, you’ll see there are not only one, but TWO listings on their functioning site for trilobite fossils. I’m going to be really disappointed if this isn’t real, because I am totally looking for more artifacts to add to my fossil collection. Totally.

There you have it for this week, folks. Tune in next week for more Glances of Awesomeness, and feel free to send me any leads!

The Benefits of Working at a Start Up #3

Thursday, September 25th, 2008

The crowdSPRING crew tests and tests and tests some more in order to make sure the site is running efficiently for our users. We want to make sure that we are aware of any issues / bugs, and we try out new features before unleashing them upon the internets (I made that word plural on purpose, folks!).

However, it doesn’t mean we can’t have fun with our testing. Case in point: A new project, created by Chris, titled “Photoshop Jerome’s Head on Dolly Parton.” The creative brief states, “You know what to do. Make it sweet. This is blog fodder. Big time.”

Our beloved Customer Support Guru has now changed genders, enhanced some, uh, assets, and we’re all better off because of it. Click on the image above for the full view, including contributions from Sean and Chris. Unfortunately, Chad is too busy doing “real work” and loving Ghostbusters. I, on the other hand, am very proud of my creation and my 5 star Buyer rating.

What should our next project be? Personally, I would like to have my head on a dinosaur in the most realistic manner possible!

12 Questions: Meet David W. Nees (USA)

Wednesday, September 24th, 2008

In our 12 Questions blog series, we feature interviews with someone from the crowdSPRING community. For these interviews, we pick people who add value to our community – in the blog, in the forums, in the projects. Plainly – activities that make crowdSPRING a better community. Be professional, treat others with respect, help us build something very special, and we’ll take notice.

We’re very proud to feature David W. Nees (crowdSPRING username: DWNees) today. David lives and works in Tulsa, Oklahoma (USA).

1. Please tell us about yourself.

I am never good at trying to describe myself. I am 39, a Pisces, single and loving it. I am from Tulsa, OK. I have three degrees in art – BA in Art History (OU), MA in Art History (OU) and a BA in Graphic Design from Northeastern State University in Tahlequah, OK. I have been teaching as an adjunct instructor at various colleges and universities throughout Oklahoma and am now working to get my career off the ground in graphic design. I am considering returning to school to pursue a MFA or PhD in 2009.

2. You are an academic, an artist and a graphic designer. How do you balance all three?

Being under-employed allows for a great deal of balance in my pursuits. After graduate school, I spent four years trying to get an academic career off the ground. This culminatied in a change of careers alltogether and caused me to return to school to study graphic design. The Bush years have been very hard for my art career…  I was able to teach while attending school at NSU and that was great. Beyond that, I find that my love of art history and the joy of working as an artist and designer forces me to find time for everything.

3. Younger designers might not fully appreciate the importance of art history. Why is it important for designers to study art history?

Most everyone can benefit from studying art history, because art history helps us to understand our visual culture. It allows us to see our cultural values. We can trace our development in the West by our most famous artworks and if we truly understand what they mean, we have the chance to truly understand ourselves. That is especially important for artists and designers because we are participating in that development – when we create something, we are in a dialogue with so many artists and designers such as Phidias, Michelangelo and David Carson or Chip Kidd. And like any conversation, you have to listen to what the other person is saying in order to thoughtfully add to that conversation.

There are many great online resources and books about art history. If you are interested in reading about art history, let me offer a few resources I’ve found helpful:

http://witcombe.sbc.edu/ARTHLinks.html – Art History Resources on the Web – Professor Christopher L.C.E. Witcombe. Here you can find a little bit on just about everything. Fun even to casually scroll through and find an area you like and follow the links.

http://www.citrinitas.com/history_of_viscom/index.html – The History of Visual Communication. A great place for an overview of the discipline of Graphic Design. Lots of information and links to follow.

The classic: The Story of Art by E.H. Gombrich. First published in 1950 this is an excellent starting place.

The Power of Images by David Freedberg. This is perhaps the most difficult book on images I have ever read, but saying that it is probably the best. Not for the casual enthusiast though.

And another classic: The Medium is The Message by Marshall McLuhan. This answers (or at least speaks to) many of the problems of contemporary art and design.

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I'm A Mac. I'm A PC.

Tuesday, September 23rd, 2008

Well-known UK graffiti artist Banksy once said, “The thing I hate the most about advertising is that it attracts all the bright, creative and ambitious young people.” It’s true that the advertising industry consists of many talented writers, designers, and other creative types, and the outcome can be quite remarkable.

For the computer giants, the game is on. After releasing a series of somewhat confusing commercials portraying Microsoft founder Bill Gates and comedian Jerry Seinfeld in an Odd Couple-esque situation, Microsoft has launched a new campaign revolving around the phrases “I’m A PC” and “Windows vs. Walls.”

This campaign is the first major creative push from Microsoft in a while, playing off of Apple’s successful 2 year long “Get A Mac” campaign. The first ad, featured below in this post, includes everyday people coupled with celebrities such as actress Eva Longoria, her NBA playing husband Tony Parker, and Pharrell Williams of the Neptunes / N.E.R.D.

Both Microsoft and Apple have sought help from two of the world’s most successful creative advertising agencies. Microsoft recruited Crispin Porter + Bogusky, best known for their MINI, Volkswagen, and Burger King campaigns, to launch their $300 million dollar advertising effort while TBWA \ Chiat \ Day, who also handles advertising for McDonald’s, adidas, and Absolut, is in charge of Apple’s “Get A Mac” ads.

Microsoft has taken a huge social media / viral initiative by creating a web site where Windows users can upload a video stating what kind of PC they are. The Microsoft ad is compelling in the sense that it is broad sweeping, addressing people in a way that says, “Hey you! Windows user! You’re one out of many, and you are not stupid! You are a person, just like all of us. Don’t let Apple make you think you are a stereotype.”

However, if this is indeed a reactionary campaign from Microsoft, the issue is that Apple’s commercials attack the core problems with Windows Vista rather than mocking its users. They want users to switch to their product by highlighting the flaws of Windows Vista personified in a human. Apple’s Mac commercials offer reasons why having a Mac would be better than having a Windows PC, listing reasons in a lighthearted manner.

Although Windows retains a huge portion of the operating system market share, it will be interesting to see whether these ads can enhance brand loyalty or perception.

At the end of the day, a computer is a computer. Whether you run Vista or OSX, you are going to have issues. From a creative standpoint, the brilliance and the inspiration lies behind the creative teams that develop each company’s strategies through its key messages, along with its design and advertising efforts.

Check out the latest video ad spots from both Microsoft and Apple here:


Microsoft’s “I’m A PC” Campaign


Apple’s “Get A Mac” Campaign

As creatives, what do you think of these ads? How do they appeal to the mass consumer looking to purchase a computer?

Professionalism Is Earned

Monday, September 22nd, 2008

In 2006, Jason Fried of 37signals posted a short article to the Signal v. Noise blog titled “‘Professional’ is a buzzword”. Jason wrote:  “It seems like it’s time to call a spade a spade: ‘Professional’ is a buzzword. It doesn’t mean anything anymore. Disagree? What does Professional mean to you?”

Eighty-five comments were posted in response to Jason’s question. The comments proved Jason’s point.

Calling yourself a “professional” doesn’t make you a professional. Working in a “profession” doesn’t make you a professional. “Professionalism” is earned – it’s not a mere label.

Take the terms “professional graphic design industry” and “professional designer.” What do those labels mean today? To become a “professional “ member of AIGA, you pay $315 per year and must have “practiced or taught in any design community for four years or more.” That’s it. I’ve known some “professional designers” (some were members of AIGA) that had no business working as designers. I’ve also known many “non-professional designers” that were remarkably talented, ethical, and client-focused. 

The Internet has fundamentally changed the barriers to compete as a graphic designer. This simple fact doesn’t magically transform millions of people around the world into graphic designers. But it does present them with an amazing opportunity.

I agree with Jason that “professional” is a buzzword, even more so today – two years after Jason’s initial post. It doesn’t mean anything anymore. It’s a word thrown about like confetti at a parade. But while it lacks real meaning, it does possess a certain status within an industry, so it’s not unimportant.

What did the word “professional” mean when it wasn’t a mere buzzword? I believe it meant that you followed standards of conduct in performing your work. Those standards included ethics and excellence in performance. That has not changed. A professional is a professional because of how they act, not what they’re called. Looking in the mirror and calling yourself a “professional” doesn’t make you one.

So how do professionals act?

During the 2008 Olympics in Beijing, there was a moment that marked – for me – one of the most amazing displays of professionalism I’ve ever seen. Dara Torres, a 41 year old U.S. swimmer, was getting ready to swim the semifinal 50m freestyle race.

As the swimmers were ready to start, Torres started waving and approached the main judge. One of Torres’s competitors, Sweden’s Therese Alshammar, had a torn swimsuit. Alshammar could have competed  – it was just a small tear. But Torres understood that even a small tear could have a big impact on a swimmer’s performance. Torres risked her own disqualification to help a competitor.

Torres won the race and took silver in the Olympics. And people will certainly remember her for that. But people will remember her most for the amazing display of professionalism and humanity that she showed to a fellow competitor – at one of the most important times in both of their competitive lives.

True “professionals” never forget that actions and ethics, not a mere label, define what it means to be a professional. Watch the video…

History of Graphic Design

Friday, September 19th, 2008

For anyone interested in learning about the history of graphic design, here’s a nice site I found a few days ago that does a nice job covering the basics.

It includes a pictorial history of graphic design and is a nice, easy read.

Start-up Tip: Ten Suggestions For Raising Start-up Capital From Angels

Wednesday, September 17th, 2008

Mike and I stated working on crowdSPRING in the summer of 2006. We incorporated the company in May 2007 and launched the crowdSPRING marketplace in May 2008. We’ve learned many important lessons along the way. In some ways, our experience is typical of other start-ups. In other ways, it is not. I want to share some of our adventures (and mis-adventures) in the hope that it’ll help others looking to start a company or those who’ve already launched a start-up. So, once or twice every week for the next few months, I’ll post a new tip, based on our experience with crowdSPRING  over the past two years (and my experience advising technology start-ups over my 13 year career as an attorney).

Start-up Tip 4: Ten Suggestions For Raising Start-up Capital From Angels

It’s not enough to have a great idea. Almost all entrepreneurs will need to find a way to fund that idea. Some entrepreneurs are fortunate to self-fund. Others could bootstrap their start-up (at least for some period of time). But most entrepreneurs need outside funding very early during their start-up’s life.

This article focuses solely on our own experience, in the hope that sharing our strategy and what worked/didn’t work will help others.

Two things worked in our favor when we began raising capital. First, we had absolutely no preconceived notions about how difficult it would be. Second, we didn’t start raising capital until we could answer as many difficult questions from investors as we could reasonably anticipate.

We spent over six months researching (including competitor analysis) and refining our business idea before we started raising capital. During that time, we attended a few meetings of angel investor groups (as observers) to listen to pitches from other start-ups. We also did some light reading about raising capital. But we mostly focused on our idea because we understood very early that raising capital would consume a great amount of time and we wanted to refine our idea as much as possible before we started meeting with investors.

We started working on crowdSPRING in the summer of 2006 and crystalized our initial thoughts in the Fall of 2006. We wanted to wake up January 1, 2007, grab a cup of coffee, and read a draft of our business plan. And we did.

We wrote a detailed business plan mostly for ourselves (and for our wives. Let’s face it – we had to persuade them too that it made sense for us to pursue crowdSPRING as a business). It was over 80 pages long, and we spent a good 2-3 weeks putting it together. The plan included financial projections based on a very detailed financial model that we (mostly Mike) developed in the Fall of 2006. We didn’t yet know whether we would pursue crowdSPRING full time or whether anyone would agree to invest. But for us, this was an important first step. On January 1, 2007, we both were able to sit down with a cup of coffee and read a draft of our plan.

In the hope that our experience will help others, what follows are ten suggestions for raising start-up capital from angel investors (based on our experience). Here we go:

1. Build a business plan. Many people will tell you that you shouldn’t waste time on a business plan (they might be right). We weren’t asked for a copy of our business plan until we met with our fifth investor. But a business plan (whether a formal plan similar to what we put together, a PowerPoint or Keynote version, or something different) has value. The act of writing a plan forced us to crystalize our thoughts in ways that we had not yet done. It forced us to make sure that we could articulate our ideas succinctly, accurately, and with sufficient detail. It also forced us to thoroughly research the market and our competitors. Because much of our research was original research (we literally monitored activity by some potential competitors over a two week period and reduced that activity to analytical data in Excel), we were able to build a financial model that either supported or questioned some of the publicly available data provided by others.

We started with a one page summary. This was a good exercise because it forced us to explain our entire business on a single page.

One piece of advice: if you haven’t ever written a business plan, find someone who has. Mike and I were fortunate because we had either written or reviewed many business plans. But even though we had a good amount of experience with business plans, we found three smart friends and asked them to review our draft plan and to provide feedback. If you need some help to get started, email me (ross at crowdspring dot com) and I’ll be happy to email you the table of contents to our plan.

Whether you write a full blown business plan (like we did) or a shortened version, your should consider incorporating a good description of your business, financial projections, and a competitive market analysis.

2. Research. Research. Research. Know your business. Know your market. Know your competitors. Most investors are smart people. They’ll want to know about your idea, the potential market, the competitors, the pitfalls,etc. While it’s impossible to prepare to answer every single question, you should try to learn as much as you possible can so that you are ready. Potential investors will quickly tune you out if you can’t answer questions about your business. When we attended the meetings of angel investor groups in the Fall of 2006 – we saw many examples of this – some start-ups couldn’t answer very basic questions about their market and revenue models. Investors lost interest.

As I mentioned, we spent six months researching. While many might find that to be excessive, we learned an incredible amount during that time and we are confident that crowdSPRING would be very different (and not nearly as good) had we not spent the time researching. When we could not find published data, we conducted original research and analytics. We read every article we could find about some of our potential competitors (including elance.com and guru.com). Thousands of articles. We were fortunate to buy a subscription to Lexis/Nexis that gave us access to over 20,000 periodicals (including major newspapers and magazines).

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Creativity + Technology in Chicago

Friday, September 12th, 2008

The crowdSPRING crew has the honor of attending WIRED NextFest 2008‘s opening event in two weeks. The festival, which will be held in Chicago’s Millennium Park from September 27th – October 12th, features innovative exhibits that bridge design and technology together.

Here are some great exhibits that will be on display throughout the upcoming weeks:

Alinea

Gourmet Magazine named Chicago restaurant Alinea 2006′s Best Restaurant in America. Their innovative fusion of food and chemistry, coupled with great presentation, has made Alinea one of America’s most creative fine dining establishments. Have you ever seen bacon look so high end?

Art of Play

Interactive designer Erik Natzke takes Flash to the next level as a medium for fine art rather than just ad banners. By using drawing engines, generative algorithms, and color studies in Flash, Natzke created prints 9 feet wide with an impressive aesthetic.

iPoint Presenter

Fraunhofer Institute for Telecommunications’ iPoint Presenter takes the idea of a touch screen to the next level. Using a system of cameras, the iPoint tracks your motion to move elements, press buttons, and more on an existing screen. The screen reacts with just a swoop of your arm or finger. Imagine a touch screen that you don’t even have to touch!

As a creative start up, it’s great to see our hometown begin to evolve into a viable technology community. On Monday, Ross and Mike will be speaking at the Chicago New Media Summit, along with people from 37signals, Critical Mass, Microsoft, Avenue A | Razorfish, Tribune Interactive, and more. Our fearless leaders will be speaking about community based creative content – a concept that is changing how people sell, collaborate, and share their creative ideas. We look forward to discussing the benefits of this global creative network with other tech-related professionals, whether in digital advertising, publishing, or marketing, and how community based creative sites such as crowdSPRING and fellow Chicagoans Threadless can be an asset to the creative world.

It’s a great time to be living in the Windy City if you’re in the technology business, and we are proud and excited to be a part of this burgeoning community!